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30-Jan-2019 22:14

Illuminated manuscripts were among the most precious objects produced in the Middle Ages and the early Renaissance, primarily in monasteries and courts.Society's rulers--emperors, kings, dukes, cardinals, and bishops--commissioned the most splendid manuscripts. (See colorito.)It can be used in a purely descriptive manner - Egyptians used different colours to distinguish Gods or Pharaohs, and to differentiate men from women - or to convey moral messages or emotional moods, or enhance perspective (fainter colours for distant backgrounds).See also: Titian and Venetian Colour Painting 1500-76.For the greatest view painters, see: Best Landcape Artists.For the greatest still life art, see: Best Still Life Painters.One of the main painting mediums of the ancient world, encaustic painting employs hot beeswax as a binding medium to hold coloured pigments and to enable their application to a surface - usually wood panels or walls.

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Not until 1863 did oil painting become part of the curriculum of the French Academy the Ecole des Beaux-Arts.Traditional painters do this by deploying the concept of linear perspective, as developed during the Florentine Renaissance by Piero della Francesca and others (see also the illusionistic techniques of quadratura and foreshortening), while Cubists like Picasso, Braque, Duchamp and Juan Gris, expressed space and volume by showing a range of overlapping "snapshots" of the same object as if viewed simultaneously from different viewpoints.Still others, like naive (naif) or primitive-style painters show objects not in their true-life naturalistic relationship to each other, but separately, from whatever angle best shows their characteristic features - this includes the flattened stylistic forms used, for instance, by the Egyptians.(5) The elements of Time and Movement concern how the viewer's eye is allowed to experience the picture, in terms of speed and direction, both for its narrative development (eg.The finished painting may be wholly representational and naturalistic - such as those of the photorealists (eg.Richard Estes) - or wholly abstract - comprising only geometric shapes (like those by Piet Mondrian, or Bridget Riley) - or anywhere in between.

Not until 1863 did oil painting become part of the curriculum of the French Academy the Ecole des Beaux-Arts.

Traditional painters do this by deploying the concept of linear perspective, as developed during the Florentine Renaissance by Piero della Francesca and others (see also the illusionistic techniques of quadratura and foreshortening), while Cubists like Picasso, Braque, Duchamp and Juan Gris, expressed space and volume by showing a range of overlapping "snapshots" of the same object as if viewed simultaneously from different viewpoints.

Still others, like naive (naif) or primitive-style painters show objects not in their true-life naturalistic relationship to each other, but separately, from whatever angle best shows their characteristic features - this includes the flattened stylistic forms used, for instance, by the Egyptians.(5) The elements of Time and Movement concern how the viewer's eye is allowed to experience the picture, in terms of speed and direction, both for its narrative development (eg.

The finished painting may be wholly representational and naturalistic - such as those of the photorealists (eg.

Richard Estes) - or wholly abstract - comprising only geometric shapes (like those by Piet Mondrian, or Bridget Riley) - or anywhere in between.

For the top allegorical painting, see: Best History Painters.